Culture of Pastoralism in North West Thar

Salt of the Earth, Thar Desert

Ukhrul and Tanghkul Nagas

MNREGA Ignores Sufi Folk musicians of thar desert

Sufi Folk musicians of thar desert combat drought to live with dignity

The ensuing note tells about an effort by Mir musicians to combat desert strife in the hope of safeguarding their life affirming creativity. As drought tightens its clutches, with the advancing summers dooming lives to ever increasing daily misery, the Mirs are engaged in a valiant quest for dignity for themselves and their musical traditions that are a rich repertoire of sufiyana qalam and nirgun bhakti.

Baba Farid Rang is a small learning camp organised in a small settlement called 1PB (Pugal Branch), one of the IGNP settlements in Bikaner, Rajasthan. At a time when there has been practically no water for irrigation since the past year and a drinking water scarcity that worsens with each day, the Mirs have decided to take on these hostile conditions by invoking their soul stirring music, in the hope of rescuing themselves from the grip of this scourge of drought.

Most of the Mir singers are BPL families who do not really get work in the on going NREGA works that have large numbers to accommodate on their muster rolls, besides being entrenched in nepotism, delayed and irregular payments. For the Mirs it is an attempt to revive their tradition and earn a more respectable and dignified work other than just digging and carting earth.

The camp has been going on since last month supported through voluntary contributions from music enthusiasts from Delhi and Mumbai. There have been five learners and three ustads who occasionally visit the camp that continues with full passion and energy in the blazing heat of the day and cool star studded nights.

Such a collective effort would be surely motivated from your kind support. You could give them an opportunity to perform. If not an opportunity for performance, some modest contribution to help carry on with this by including more musicians, both learners and ustads.

Abdul Jabbar (09784939212) and Bassu Khan (09929787552) are leaders of the camp. You could get in touch with them for supporting their music. Since correspondence to these areas is difficult, contributions could be directly put into their joint bank account the details for which are as follows:

State Bank of Bikaner and Jaipur, Pugal, Bikaner

Bank Code: 10408

IFC Code: SBBJ0010408

Bank Account No. : 61092898080

Cheque could be given in the name of Abdul Jabbar and Bassu Khan, and sent to

Rahul Ghai, 179 Sahyog Apartments, Mayur Vihar Phase I, New Delhi 110092

here are some photographs of the camp

Though a rough cut recording, listen to a qalam that sings of the prayers of drought struck people yearning for a water source (toba); and another qawali sung in the praise of the unmatched sacrifice on the path of Ishq by Mansur

Please find a link below of a small piece on desert strife and creativity. You might find it useful.

http://www.hardnewsmedia.com/2009/11/3336

Pash the poet of impossible dreams

Ambedkartimes.com congratulates Prof. T.C. Ghai for his great efforts in translating entire poetry of Avtar Pash, one of the pioneer revolutionary Punjabi poets who in his very young age became a house-hold name not only in his home state but also in the entire India. In addition, he is equally popular among the wide Punjabi Diasporas. Prof. Ghai’s translation (Pash: A Poet of Impossible Dreams) was released at the Martyrdom day remembrance ceremony at Pash’s native village (Talwandi Salem). At the ceremony, Prof. Ghai dedicated his book to Bha Ji Gursharn, a noted revolutionary activist in the domain of theatre art in the region. Among other recipients of the book at the ceremony were Prof. K.K. Pathak, Dr. Ronki Ram, Prof Tarsem Sagar, Sh. Sant Sandhu and Dr. Amolak Singh. The book is published by Pash Memorial International Trust. Prof. T.C. Ghai (Born 1937) retired from Delhi University as an Associate Professor of English in 2002. He has published two short novels and a Hindi translation of his short stories, Adamboo, originally written in English. He has translated a Punjabi poet, late Dr. Puran Singh Kanwar’s collection of poems, Rattan Di Rut (1984), into Hindi in 2000 and English in 2006.

While speaking at Martyrdom day remembrance ceremony at Pash’ village, Prof Ghai said that “in the premature violent death of Pash the Punjabi poetry has perhaps missed its own Pablo Neruda, or may be someone even greater”. Dr. Ronki Ram said that in contemporary times, the poetry of Pash has become rather more relevant and crucial in dealing with general myopia of free market economy led consumerism, and electronic media’s persistent campaign for festivities and glamour! Dr. Amolak reiterated on the need for pro-people policies which he lamented are nowhere to be seen in the present regime at the state and centre level. On the occasion different theater groups staged revolutionary plays including the famous play Aeh Lahoo Kis da Hai by Bha Ji Gursharn theater group.

for more reports on 23 March 2010, Talwandi Salem

Paash-Hans Raj Memorial Function in Talwandi Salem on 23rd March 2010

पौ फटते ही फिजा में गए पाश के नग्मे

Paash-A Poet of Impossible Dreams

Panchayat elections in Bikaner

Location: Bhaluri panchayat, Kolayat, Bikaner

Misty winters of Thar

Village: Bandhali, Kolayat, Bikaner

Gerbils of Thar went to the rich forests of Palamu. here are some spiders we saw

Folk music and musicians of Thar, Rajasthan

The meeting of around hundred performers from Managaniyars, Langas, Mehers, Dhadis, Meghwals and Bhils communities of Barmer and JaIsalmer district was memorable in more than one ways. Braving the scorching heat of May, folk musicians, young and old, collected from 3^rd to 5^th May in the hill township of Barmer city to successfully convene a well organized three day event in the backdrop of vast horizons and star lit skies.
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Among those present were illustrious stalwarts like Rukma Bai, Nage Khan, Karim Khan, Chanan Khan, Hakim Khan, Bade Ghazi Khan who had their first international exposure in the early 1980s and have since then visited more than two dozen countries. Versatile old poets like Bhopji Dhadi and Pathane Khan, who recited traditional verses in dingal and poems about the havoc wreaked by the recent floods in Barmer with equal ease, never hesitated with their wise interjections. Mishri Khan, the grand old jaltarang specialist, always posed challenges with his fundamental and existential ruminations. Ridmalram, Chaturbhuj, Raees Khan, Bhungar Khan, the younger among the performers, participated with their mature suggestions and innovative ideas.

Their hidden ecstatic bodies would spontaneously come in play when they went on to singing a song or strung a melody on the kamaicha or deftly played the khartal. The old and the new singers created a seamless blend of sonic aura that seemed to organically possess everybody present.

for more details on the Conference See Enticing Overtures and Ecstatic renditions

Nathu Khan from Rajasthan: musician with a cause

Jamsar is an old village near the desert city of Bikaner. This is an effort to revive the folk musical folk tradition of maand by Nathu Khan a dhadi musician.

mirs of pugal performing