Thursday, February 18, 2016

MBA in Rural Management @ IIHMR University Jaipur


IIHMR University Jaipur

Pursuing Rural Management Course in this unique passionate institution is worthwhile.

To read more about the rural management course click below

Exploring New Frontiers of MBA Rural Management @ IIHMR 

Read More about IIHMR environs:

Post 1: http://rahulghai.blogspot.in/2014/06/rendezvous-with-flying-tree-pies-iihmr.html

Post 2: The Unique Ecology of IIHMR, Click

Wednesday, February 10, 2016

Jamali Bai the mesmerizing folk singer from Bikaner city


Got an opportunity to attend one of the first concerts at the pump house in winters of 1998.

a truly memorable concert attended by popular working class people from that corner of the Bikaner city. There were watchmen, pump operators, gatekeepers, construction workers, hawkers, tea stall owners and vagrants of no profession all gathered in the star lit night. The performance was arranged on the top of the water tank of the pumping station. They had all gathered to listen to Jamali Bai and her husband Rahman ji

The regal elan of this subaltern culture is un paralleled in the recent history of the Bikaner city.



Click to Listen


Credits: All credits for the video clip to Shabnam ji and her colleagues at Kabir Project. 

Tuesday, February 9, 2016

Lilting Calls of the Been, Pastoral Music of North West Thar



Been Dhol  Ensemble at a marriage, Pugal, Bikaner




Been is an instrument that is rarely played for it is difficult to get deft players of this. The accompanying instrument dhol has is more popular in solo performances 
Nazare Khan ji testing his bagpipe, Pugal Bikaner




Nazre Khan Mir, old  ustad of the been testing out the instrument in his room in the presence of some elders and listeners 

Listen  

Sufiyana Qalam of pastoral north west Thar



Jani Rat Rahepo gali karse se

stay over in the night and we would talk
listen to each other and tell tales of times

Ustad Basaye Khan ji, Pugal Bikaner, March 2005

Ustad Basaye Khan, a veteran Mir musician from Pugal Bikaner rendered this song in an immortal way    

the traditional context of listening and performing very often used to be the nomadic encampment or the solitary semi permanent dwellings. It was an extremely popular song for especially elders having collected from distant villages during marriages and staying overnight at one place.

Listen